10 November 2010

Widdecombe, widdego


Strictly..., then. It hasn't been amazing for its newsworthiness so far this series, but now it's starting to hot up. It appears that Ann Widdecombe is coming under pressure to quit the programme for fear she might win.

I don't think she will win, but if she does, then so be it. Again it takes us back to almost arcane argument about whether it is an entertainment show or a dancing show. Only the judges seem to think it's the latter.

That's their prerogative, of course, as dancing connoisseurs, but at least Craig Revel Horwood is consistent in his view. He is the only one who says Widdecombe is a bad dancer and proffers accordingly bad marks. Len Goodman, who has in the past offered a whinge about the public not protecting the dancers as opposed to the cabaret acts, is now marking up Widdecombe having previously said it was a dancing contest. He may have changed his mind or he may just be getting confused as to what he really believes.

Widdecombe won't win it but, unlike John Sergeant, she won't quit either. She's having way too much fun and doesn't have any loyalty to the programme or the BBC to offer herself as a sacrifice. One of the criticisms Sergeant got when he dropped out a couple of years ago was that it was unfair to his dancing partner, Kristina Rihanoff. While I don't suppose for a moment the great Anton du Beke is high on Widdecombe's priorities when maintaining her stance, he seems to be having more fun than ever chucking her about and his patience and humour is clearly helping her catch the bug for the show.

Lorraine Kelly took the ludicrous stance of saying people shouldn't vote for Widdecombe because she decided in her Home Office days that pregnant prisoners should remain cuffed when giving birth. It was a horrible policy but it is entirely irrelevant now. It suggests anything from a contestant's past that satisfies present prejudices seems to be fair game, if we use her argument. England fans could therefore have got rid of Peter Shilton for diving over that Polish shot in 1973 which was key to the nation's non-participation in the 1974 World Cup, not because his charleston was lumpen and weak and he couldn't smile on cue.

When Jimi Mistry exited at the weekend, his partner Flavia Cacace didn't look shocked or upset. She looked downright livid. She's a dancer who expects the worst dancer to go, and this is to be expected. But while there is an aesthetic pleasure from an immaculate dancer (which, incidentally, Mistry was proving to be anything but), the Strictly... format offers room for humour, charisma and, for want of a better expression, an element of journey making. Widdecombe can learn steps but has no natural rhythm and, therefore, du Beke is creating routines directly from her incompetence and achieving cracking results from it.

The removal of the dance-off is controversial and I'd rather it was still there. Three of the five "bottom two" scenarios so far would have had different outcomes had it been left to the judges. But so far it hasn't caused the biggest possible stink among the purists because Widdecombe hasn't once been in the bottom two. Once she does end up in there, let's just see if the public have the sheer nerve to say she's worthier than Scott Maslen or Kara Tointon. That would make fantastic television if so, and the outcry would be as entertaining as Widdecombe's clumping quickstep. Sergeant staying in at the expense of Cherie Lunghi would have nothing on this.

The bigger scandal at the moment, to be honest, is that both Michelle Williams and Gavin Henson are surviving despite being neither great dancers nor great characters. Williams talks well of being a trier but isn't pleasing the purists nor entertaining the proles with her performances, making one wonder if it's Brendan Cole who is actually keeping that pairing afloat. Henson, meanwhile, also benefits from a personality partner, and may have all of Wales supporting him, a la Rosser & Davies, but one can't help but feel it's the exposure of his chest and little else that is persuading people to dial the number next to his name. No straight male judge would dare make a lewd comment on Patsy Kensit's expression of perfect filth when doing a latin dance, so Alesha Dixon is both out of order and damnably unconstructive when critiquing Henson purely on the subject of how attractive his backside apparently looks (unless she's doing it because she hates Charlotte Church). The judges, as they like to tell us, are there to comment on dance and not on personal image. Genesis did a song about people like Henson...



An element of personal integrity or historic fondness will always assist when the decisions are made by the nation. Widdecombe has a degree of public respect aimed her way from even those politically her opposite. Felicity Kendal remains a national treasure (eugh) due to one sitcom done with a muddy face and hugging denims in 1975, something that is all she's ever managed if one believes the references to her career made on the programme. Pamela Stephenson, as a 30 year old goddess in 1979, undid her top on television and activated every gramme of testosterone across the nation with the immortal question "Would you like to rub my tits too?". That she still looks pretty much the same at almost 61 as she did then also helps. Kensit has a complicated life story but is improving as a dancer and, when her hair is down and her dress is short, she's hotter than anyone else thereon. We all know an alluring mature woman like her, and they have extraordinary power. It's fickle, it's idealistic and it's pretty vacuous, but it's how viewers of such programmes work. The sooner the dancing fraternity accepts that, the better.

For all this, my predictions haven't changed. Matt Baker is still the front runner, combining a boyish, bashful decency with a sense of humility and an excellent ability to dance. He hasn't had tens and therefore isn't peaking too soon, which might not be quite so straightforward with Maslen, although he too is coming across as fundamentally good. Tointon is technically impressive but lacks charisma, while Stephenson is in need of a second wind and may not necessarily get it.

Barring a major surprise (which, in Kensit's case, could happen), the remaining five, including Widdecombe, are heading for the exit over the next five weeks. But nobody should be shocked, nor annoyed, if Widdecombe is the last of that also-ran quintet to go. The backlash this week doesn't seem to have worn off the novelty of seeing this squarest of women glam up and perform daft routines with a partner who is killing himself laughing throughout, and the prospect of her doing a bitty but self-deprecating salsa is infinitely more tempting a spectacle than seeing Tointon do a spot-on tango with a shiteating grin.

The show is, like any other light entertainment offering, principally about attracting viewers. I'm sure dance connoisseurs have been gently reminded of that bigger picture and, if they don't agree with it, they should be reminded that the non-celebrity Come Dancing was on after 11pm on a weeknight.

9 November 2010

Moments in soul

I appear to be in Playlist City, Arizona this week. Here's what we managed at Friday's second of three classic soul, funk and disco nights. The next one is in December.

Mtume "Juicy Fruit"



Velvelettes "I Can't Dance To That Music You're Playing"

Stevie Wonder "Signed Sealed Delivered I'm Yours"

Phil Fearon & Galaxy "Dancing Tight"

Isley Brothers "Harvest For The World"

Ike and Tina Turner "River Deep Mountain High"

Hot Chocolate "You Could've Been A Lady"

Mai Tai "History"

Supremes "Stoned Love"

Ohio Players "Love Rollercoaster"



Maceo & the Macks "Cross The Tracks"

Womack & Womack "Love Wars"

Untouchables "Agent Double O Soul"

The Real Thing "Can You Feel The Force?"

Sam & Dave "You Don't Know Like I Know"

Amii Stewart "Friends"

Gladys Knight & the Pips "Take Me In Your Arms And Love Me"



Chic "My Forbidden Lover"

Vesta Williams "Once Bitten Twice Shy"

Temptations "Papa Was A Rolling Stone"

Grace Jones "Slave To The Rhythm"

Cerrone "Supernature"



Rare Earth "Born To Wander"

Billy Ocean "Red Light Spells Danger"

Coffee "Casanova"

Jimmy Ruffin "What Becomes Of The Broken Hearted"

Shalamar "I Can Make You Feel Good"

Bob & Earl "Harlem Shuffle"



Michael Jackson "Rock With You"

Martha and the Vandellas "Heatwave"

Kool & the Gang "Too Hot"

Curtis Mayfield "Move On Up"

Len Barry "1-2-3"

Labelle "Lady Marmalade"

Smokey Robinson & the Miracles "Going To A Go-Go"

Drifters "Saturday Night At The Movies"

Aretha Franklin "Respect"

George Benson "Give Me The Night"

Crusaders "Street Life"

Fontella Bass "Rescue Me"

Claudja Barry "Sweet Dynamite"

Isley Brothers "This Old Heart Of Mine"

Tina Turner "Let's Stay Together"

Jackie Wilson "Higher And Higher"

Supremes "The Happening"

New Edition "Candy Girl"

Heatwave "The Groove Line"



Showstoppers "Ain't Nothing Like A House Party"

Michael Jackson "Off The Wall"

Blackbyrds "Walking In Rhythm"

Tom Jones "The Lonely One"

Whitney Houston "I Wanna Dance With Somebody (Who Loves Me)"

Stevie Wonder "Superstition"

Gloria Jones "Tainted Love"



Earth Wind & Fire "September"

Temptations "Get Ready"

Narada Michael Walden "I Shoulda Loved Ya"

Wilson Pickett "Mustang Sally"

Candi Staton "Nights On Broadway"

Mary Wells "My Guy"

Prince "When Doves Cry"

Sam & Dave "Soul Man"

Commodores "Machine Gun"

Valentine Brothers "Money's Too Tight To Mention"

Supremes "You Can't Hurry Love"

James Brown "I Got You (I Feel Good)"

Luther Vandross "I Really Didn't Mean It"



Four Tops "I Can't Help Myself"

Donna Summer "Bad Girls"

Arthur Conley "Sweet Soul Music"

KC & the Sunshine Band "That's The Way I Like It"

Temptations "Ain't Too Proud To Beg"

Sister Sledge "Lost In Music"

Al Wilson "The Snake"

Stevie Wonder "We Can Work It Out"

Deniece Williams "Let's Hear It For The Boy"

O'Jays "Love Train"

Wilson Pickett "In The Midnight Hour"

Marvin Gaye & Tammi Tyrrell "You're All I Need To Get By"

Bill Withers "Lovely Day"

Freda Payne "Band Of Gold"

Pointer Sisters "I Need You"



Bobby Fuller "The Magic Touch"

Cameo "Single Life"

Gladys Knight & the Pips "Midnight Train To Georgia"

Otis Redding "(Sitting On The) Dock Of The Bay"

Marvin Gaye "I Heard It Through The Grapevine"

Dionne Warwick "Walk On By"

Thanks for all the suggestions and anything you happen not to see above probably got played the week before. The two nights have gone down pretty well so far, despite the odd person claiming that Wilson Pickett is shit and not a patch on Ne'Yo. I laughed too. Highlight for me was seeing a group of five blokes aged no more than 30 each going totally mental (in a good way) to the Commodores.

I hope you'd dance.

8 November 2010

Truthful songs over an eighties groove

It is such fun having three hours of radio to play songs like these...

Proclaimers "Letter From America"
Alison Moyet "Love Resurrection"

Evelyn Champagne King "Love Come Down"
Nik Kershaw "Don Quixote"

FEATURED ALBUM - RAINTOWN - TRACK 1:
Deacon Blue "When Will You Make My Telephone Ring"

Belouis Some "Imagination"
Inner City "Whatcha Gonna Do With My Lovin'"



Undertones "Wednesday Week"
Paul Young "Wonderland"

Pet Shop Boys "Love Comes Quickly"
Bobby Thurston "Check Out The Groove"

Blondie "Island Of Lost Souls"
Beach Boys "Kokomo"

Phil Collins "I Missed Again"
Fields Of The Nephilim "Moonchild"

Adam and the Ants "Kings Of The Wild Frontier"
Communards "Tomorrow"

Japan "Quiet Life"
Gloria Estefan "Can't Stay Away From You"

FEATURED ALBUM - TRACK 2:
Deacon Blue "Chocolate Girl"

Soul II Soul featuring Caron Wheeler "Keep On Movin'"
Smiths "Sheila Take A Bow"

Lydia Murdock "Superstar"
Adventures "Broken Land"

GUILTY PLEASURE
:
Toy Dolls "Nelly The Elephant"

Abba "Lay All Your Love On Me"
Heaven 17 "Come Live With Me"

Kool & the Gang "Misled"
T'Pau "Secret Garden"

Waterboys "The Whole Of The Moon"
Narada Michael Walden "I Shoulda Loved Ya"

Strawberry Switchblade "Since Yesterday"
Dire Straits "Twisting By The Pool"

FEATURED ALBUM - TRACK 3:
Deacon Blue "Dignity"

James Ingram & Michael McDonald "Yah Mo B There"
Def Leppard "Pour Some Sugar On Me"

UB40 "If It Happens Again"
Natasha "Iko Iko"



Squeeze "Is That Love"
Howard Jones "Life In One Day"

George Michael "Kissing A Fool"
Ward Brothers "Cross That Bridge"

Dead Or Alive "Lover Come Back To Me"
Fresh 4 featuring Lizz E "Wishing On A Star"

Same again this coming Sunday from 6pm? Oh, go on then.